Creatività a servizio dell’emozione
« […] certamente anche la concretezza per lui è qualcosa di astratto. Dà vita a delle ombre… nelle sue opere si vedono manichini da soli o abbracciati. Ma non rimangono senza anima…».
T. Daubler, Lipsia 1920
L’artista Eugenio Riotto,..
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To my friend Eugenio
It is difficult to go deeply into the nature of the works, since
nothing can touch so slightly a work of art such as a critical
comment: you can always obtain more or less appropriate
misunderstandings. Things cannot be all grasped as usual
people would like us to believe; most of the events are
indescribable,..
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A sculpture addressed to the man, to his feelings.
It is not correct to say that critical texts are factious
conjectures, at the most these are interpretative
assumptions of a language that the artist has
considered congenial to the construction of his
creative path.
The nature (things and people) had its origins
perhaps only, and I say it by jesting,..
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